Do shows have mass audiences anymore? (context for exam)

  • More diverse range of tv shows to choose from (not like in the past where there was only one channel- BBC1) .
  • Channel 4 started in 1982- up until recently, there weren't many channels now there are hundreds, on demand services, streaming sites etc.
  • Streaming uses the internet so it's not the same as broadcasting a show/ movie on the TV- narrowcasting.
  • Les Revenants- targeting British audiences as it has english translations on trailers, posters, promo etc.

  • Stuart Hall's Reception theory- we interact with media texts rather than watch and do nothing:
  • Negotiated reading- audience partly agree with producer's ideologies.
  • Preferred reading- audience fully agree with producer's ideologies.
  • Oppositional reading- audience disagree with producer's ideologies. 
Issues with this theory:
Preferred reading might not be clear to the audience. They want the audience to react to their ideologies.

Does Les Revenants have a preferred reading?
Audience may love or hate the show. They may also have an intellectual or emotional response as to why they love or hate the show. 

The show provides many polysemic meanings (multiple meanings).


Audience responses to the scene where Camille comes back to life and her mom finds her in the kitchen:
  • Subversion of a horror movie convention- the daughter coming back to life.
  • Non diegetic music creates tension, conventional of the horror genre.
  • Close up shots of the the moms face so audience can see how shocked she is- this implies that Camille just came back from the dead even though there was no real indication in the show that she died. (close up shot may make some of the audience feel uncomfortable).
  • Low key lighting- to set a dark mood, relating to the events taking place.
  • Mid-/close shots of Camille's features (her hair, hands, coat) when her mom first sees her- to build tension- conventional of a mystery genre.
  • Enjoyment at having genre conventions (like the zombie genre) subverted- it is a zombie show but does't have stereotypical conventions of the genre (like shows like the walking dead etc).
  • Nothing like the trailer.
  • Mother's evasive performance- why doesn't she hug her "dead" daughter- just stares at her daughter, she doesn't try to find out anything that happened to Camille.
  • Enjoyment at Claire's (the mother) atypical response- fully flushed out character, subverting character archetypes. 
  • Crane/ tracking shot- conventional shots used in a typical horror movie (conventional). An intertextual reference to the horror movie Sinister, when he's walking up the stairs. 
  • Frustration at the use of montage- lack of definitive action and fast paced editing (some people might find it boring as nothing much is going on).
  • Foreshadowed Camille coming home as her mom was in her bedroom looking at pictures of Camille before she appeared (has symbolic reference to her coming back to life)- some might think of it as cliche that her daughter comes home as she's looking at her pictures.  
  • How did Camille survived? (Hermeneutic code). Her arrival spurs a lot of unanswered questions. 
  • Pleasure at Camille's character and her assertive gobby nature. 
  • Middle aged heterosexual men might find Claire attractive.

Sex scene at the end:
  • French word for orgasm "le petite mort"- " the little death". Has explicit relationship to Lena loosing her virginity and Camille dying at the same time. 
  • Conventions of supernatural genre- Camille has a bond to her sister- she feels with Lena feels.
  • Mise-en-scene of Lena's boyfriend's clothes 


















Comments

Post a Comment

Popular posts from this blog

Riptide (intertextuality)

Image
How does the video to Riptide encode feminist ideology? Presents a parody of sexism in music videos (close up "how to photograph girls," connotes that women are purely presented to be looked at by a heterosexual male audience). Many shots of women in stereotypical male clothing (low angle mid shot of a woman holding arms in a gesture that connotes power). Mid shot of blonde woman bound in mise-en-scene of tight ropes connotes the restrictions that women face in society, and is critical of the notion of women as the "weaker sex" (connotative of "being tied down" with maternal responsibilities etc).  The video lacks anchorage which forces the audience to make own assumptions, simultaneously providing sexual gratification for male heterosexual audience, but also consistently informs the audience that scopophilia is creepy and not ok. Its an ironic representation of patriarchal hegemony (mid shot of man standing in front of woman with a torch in an ex
Read more

Target audience for Assassin's Creed III: Liberation

Pen portrait for the target audience for Assassin's Creed III: Liberation (age, gender, class, lifestyle, cultural capital…) Age: 14-20 Gender: Male Class: Working class Lifestyle: Student Cultural capital: Nerd- no cultural capital Merchandise Some items of merchandise will only appeal to a niche audience  Fan's way of demonstrating to the world that they're a hardcore fan of the video game.  How does Assassin's Creed III: Liberation ands UBISOFT use technology to maximise audience consumption and to ensure sales? Social media promotion  Rereleases of the game on more consuls (play stations, ps3, pc etc). Trailers What happens if you play too many video games? Attitude towards things/ other people change- e.g: if you play too much grand theft auto you'll become violent. Square eyes You become antisocial, developing an inability to interact with others in real life. You'll become stupid  This is an audience theo
Read more

Attitude + Stream Publishing

Image
Attitude + Stream Publishing Attitude is published by stream publishing limited They are an independent, specialist publisher They are vertically integrating by buying attitude, however they bought attitude to reduce their competition in order to avoid risk Attitude's target audience Attitude has a target audience who are "professional" which suggests they have cultural capital. The use of the word "professional" suggests they have a more financially stable job than the average person. As well as that gay people are more likely to have expendable income as they are less likely to have children than heterosexual people. The words "they are very style conscious" is a popular  gay stereotype. The reason Attitude are very stereotypical is for financial gain as it allows the audience to be sold.  The only reason Attitude exists is because the consumer  audience buy things.The inside over double page spread  is £157,000 for the Uk Vogu
Read more